reviews

“Jackson’s sequel to An Eye for an Eye (2017) combines a riveting, briskly paced tale of adventure with a historically nuanced peek at the conflict. A gripping blend of dramatic fiction and historical portraiture.” ~ Kirkus Reviews

In the second installment of a historical fiction series, a man finds himself perilously embroiled in the Texas Revolution.

In 1836, Texas settlers are in open revolt against the Mexican government, attempting to establish independence. Zebadiah Creed joins the cause, enlisting in the New Orleans Greys, still reeling from the murder of his parents by the Lakota and his brother, Jonathan, by “bushwhackin’ thieves.” Zebadiah and his pal Grainger make their way to San Antonio, but their fort at the Alamo is in grave danger, soon to be overtaken by a sea of Mexican soldiers. Both men are tasked with a dangerous mission: delivering a letter to Gen. Sam Houston urgently requesting support. But the Alamo seems increasingly doomed, and Zebadiah and Granger are sent to solicit help from the impossibly arrogant Col. James Fannin, who refuses to comply with the request or to wisely retreat when an overwhelming army of Mexican soldados arrives. Jackson’s sequel to An Eye for an Eye (2017) combines a riveting, briskly paced tale of adventure with a historically nuanced peek at the conflict—the Texans see themselves as freedom fighters while the Mexican government considers the group invaders. The plot can become overly convoluted as well as implausible—at one juncture, Zebadiah seems to believe he can negotiate a peaceful cease-fire with a Mexican general by making him a gift of his Bowie knife, a proposition even he seems embarrassed by later. Still, Zebadiah is a captivatingly nuanced character, murderously angry but morally principled. And as another soldier, Deaf Smith, observes, it’s not at all obvious why he’s there at all: “Are ya here ’cause God wants you to be here? Son, in a fight like this, ya gotta serve somebody or some higher purpose, else your just killin’ for no good reason at all.”

A gripping blend of dramatic fiction and historical portraiture.

~ Kirkus Reviews

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